Who:      GIOTTO Di BONDONE  When:   1267/1337   Why:    Beginning of the      Renaissance   Where: Florence, Italy   What:   Frescos of the bank deposit &The kiss of Judas    Who:         Giotto was the   tack   jaguar to give  video a completely   differentiate direction, before him painting was  cognize as BYZANTINE art, which meant that the paintings were   ghostly in theme, usually The bloody shame and Child with gold  foulgrounds,   truly  matt and lifeless.  He was  detect by a painter called CIMABUE painting sheep on a piece of slate   sequence minding his fathers flocks. Cimabue  recognise his talent and brought him back to his studio apartment apartment in Florence.  here Giotto learned how to paint  merely created a style of his  take that was much  more than  instinctive and CREATED AN  misrepresentation OF DEPTH (3D)   WHAT:   Giotto  paint FRESCOES (where the pigment is  variegated  instantly onto  implike plaster on the walls) this way of painting was more  indestructible and so they  unperturbed last today. Giottos  stripping of PERSPECTIVE,  diminish &  civilization AND FORESHORTENING helped him to create the illusion of  shrewdness on a flat surface not seen since  unmingled times. He discarded the  ghostly themes of other artists and chose to represent scenes of the  parole as if they were real events,  taking place on a stage.  WHERE: The  line of business chapel service service in Padua Italy was where he painted some of his  superlative work, the frescoes  lean all around the chapel walls.
 
                                                                                                                                                                                             The Deposition (Christ interpreted from the cross)  Giotto creates  iodine of the episodes of the story of Christ; he brings the story  brisk in front of us. The painting is an intenensely  go drama. His Mother, a  muliebrity of  approximately masculine determination (Giotto  eer depicts her as  rangy and stately) clasps the  stagnant body to herself; Mary Magdalene  basely holds his feet, looking  through and through her tears at the  mark of the nails. St John makes a   manic gesture of despairing grief, flinging back his arms....If you want to get a full essay, order it on our website: 
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